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The one where the character of Amol Palekar attempts to re-kindle the romance and novelty of his marriage by indulging in a romance with the younger Deepti Naval. Penned by Yogesh, “ Kabhi kuchh pal jeevan ke” is set to depict the most important aspect of the movie’s storyline. Even the composition style varies from the traditional tappa to modern romantic to jazzish swing to folk-based thekhas.Īnd finally the soundtrack even has a rang-birangi array of lyricists − from the seasoned wordsmiths like Yogesh and Maya Govind to the master of Hindi humor and poetry, Kaka Hathrasi. The soundtrack employs newcomers and the seasoned − from Anuradha Paudwal and Aarti Mukherjee to Manna Dey − and a diverse range of talents − from veteran exponents of Indian classical music Dr Vasantrao Deshpande and Faiyyaz to casual singers Sapan Chakravorty and Deven Varma. He consciously avoids the vocals of any of his regular and the commercially popular singers (Kishore, Rafi, Lata and Asha). For Rang Birangi, Pancham provides one of his most versatile soundtrack, which perhaps borders on the experimental. Interestingly in the 1980s, Hrishida employed two of the fashionable divas of Hindi cinema − Parveen Babi and Zeenat Aman (in Naa-mumkin) − in stereotype-defying roles.įor the soundtrack, Hrishida went with his favorite Rahul Dev Burman, who was perhaps experiencing his most successful commercial era. The confusion his character creates this time around is by seeking his wife (played by Parveen Babi) in the younger and sprightly character played by Deepti Naval. Amol Palekar starred yet again − his third in a row after Gol Maal and Naram Garam.
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Hrishikesh Mukherjee was still deemed as a commercially successful movie maker, given the success of his earlier ventures that were a blend of small ( Gol Maal, Naram Garam) and big ( Jurmana, Bemisaal) movies.įor the plot, Hrishida selected to focus on marital (dis)harmony and continued the style of comedy elicited from confusion and confused identities. Rang Birangi was a venture produced by Hrishikesh Mukherjee’s assistants under the banner of Rajvi Movies. It was perhaps the end of an era due to changes in commercial considerations and expectations.
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In such an environment,t it became extremely difficult for movie makers like Hrishikesh Mukherjee, Basu Chatterjee, Gulzar and Basu Bhattacharya to produce movies that they believed in. If the 1970s ushered in the commercially viable formula of multistarrers, the 1980s was replete with loud, violent, crime-laden masala movies. Rang Birangi was a significant movie in Hindi cinema − it perhaps heralded the end of the Hindi movie maker’s formula for small-budgeted movie dramas. Singers: Anuradha Paudwal, Aarti Mukherjee